Peter Murmann

In search of one Cate Blanchett’s great performances, I rented the historical drama Elizabeth. Blanchett received an Oscar nomination for the role but lost out to Gweneth Paltrow who played the object of William Shakespeare’s desire in Shakespeare in Love. I suspect that Paltrow won not because she was more in love than Elizabeth. [Read More]

War movies fall into three categories. Government-funded propaganda that is designed to rally the civilian population, summer action movies that hope to thrill youngsters with exhilarating battle scenes in which good in the end triumphs over evil, and finally critical films that want to undermine the very premise that war is something anyone should desire. [Read More]

Don’t! Stop! Don’t! Stop! Don’t… Don’t stop! I thought that Notes on a Scandal was a film about one of these notorious conservative British politicians caught up in a sex scandal. Wrong! The scandal involves people from a very different social group. Not knowing anything about the plot made the film all the [Read More]

If I could decide the Oscars all by myself, the King (Forest Whitaker) and the Queen (Helen Mirren) would receive the 2007 Oscars for best actor. The two roles could not be more different. But Whitaker and Mirren individually deliver one of the best performances in the history of cinema portraying a real human [Read More]

Sarah (Kate Winslet) and Brad (Patrick Wilson) meet on a playground in a suburb of Boston just as their marriage is entering a difficult period. They feel an immediate attraction. Little Children chronicles how people who are stuck in a staid, lifeless marriage struggle when they develop extra-marital romantic feelings, unexpectedly standing before a temptation [Read More]

With Babel Alejandro González Iñárritu has established himself in my eyes as one of the most innovative filmmakers of our times. For Iñárritu and his longtime writing partner, Guillermo Arriaga, life is not a cakewalk. The basic sensibility running through Love is a Bitch, 21 Gramms and now Babel is deep pessimism: at any moment [Read More]

The trailer for The Queen turned me off, but friends and critics insisted that I watch The Queen. “It is a really great movie,” the said. The first scene already felt much less staged and invented than the dialogue between Tony Blair and Queen Elizabeth featured in the trailer. The film is not great. What [Read More]

My teenage self loved James Bond. Part of becoming an adult was letting go of 007. I remember walking out of a movie theatre in the early 1990s, saying to myself. “Bond has lost any resemblance to a real human being. This cartoon-like character is just plain old silly. I am never going to watch [Read More]

The Passion of the Christ should more appropriately be called Mel Gibson’s Passion for Violence. Anyone who sets out to make a movie about the last 12 hours of Jesus’ life has the artistic responsibility to provide a context of what Jesus was all about. Mel Gibson message is that Jesus died the most brutal [Read More]

The Departed is an exceedingly well-craft piece of work. But I left the theatre disappointed because the story feels repetitive and fundamentally wrong. Just as in many of his films, Sorcese suggests that violence for violence’s sake is the general condition in America. Without question America is violent. Too violate for my taste. But no [Read More]