Peter Murmann

Five years ago “The Sopranos” became a surprise TV hit on HBO. Who would have guessed that America would tune in every week to watch the family life of a New Jersey mafia family “cope” with the challenges of upper-middle class while keeping a crime ring running. Even for a mafia family, it is tough [Read More]

Julia (Annette Benning) is the leading theatre actress in England of 1938. She is in midlife and she is bored. Her husband (Jeremy Irons), who owns the theatre in which she performs and with whom she enjoys a perfectly sexless marriage, introduces her to a young American fan, Tom. Tom confesses his love for Julia [Read More]

For someone who loves movies as passionately as I do, embarking on long flights poses particular risks. Frequently I am offered movies that I would never leave my house for. But when a movie flickers a few inches before my nose, it is difficult to resist the temptation of glancing up and of seeing whatever [Read More]

I have confessed more than once that I don’t like boxing. This is the first movie in which boxing is not pointless trashing of human beings. The true-life story of Cinderella Man captures America during the great depression era and represents Hollywood at its best. The cinematography is superb: you feel like being in the [Read More]

Not since American Beauty has a Hollywood picture been so surprising. The film is set in LA and evokes a similar mood as Lost in Translation. The first half made me restless: “Dave Chapelle does a much better job composing racist dialogues for his show on Comedy Central. Is this all the film has to [Read More]

The word that arrived at my doorsteps about the HBO miniseries Angels in America was: fantastic. I knew Al Pacino and Meryl Streep were among the cast, but I had no idea what the miniseries was about.  This gave me a most pleasant of surprises watching the first of the six episodes. The teleplay was [Read More]

I toyed with the idea of watching the remake of this 1962 film that came out last year with Denzel Washington in the lead. Having had bad experiences with remakes, I decided to see the original film instead. Frank Sinatra not only owned the rights to the film but also played a main role. The [Read More]

If Ray Charles had been a Hollywood rather than a music star, Ray would have cleaned up at this year’s Oscars. Instead, Clint Eastwood’s Million Dollar Baby and Martin Sorcese’s Aviator about Hollywood director and aviation pioneer Howard Hughes won five and four Oscars respectively. Ray is a labor of love and a much [Read More]

Love’s a Bitch (Amores Perros) received an Oscar Nomination for Best Foreign Film, rave reviews, and prizes at numerous festivals. The film did not resonate with me. I think as an observation about the human condition the film is wrong: yes, love can be a bitch, but it is not always a bitch [Read More]

The film highlights powerfully that in the European and American mind a black African life is worth less than a white life. A catastrophy that kills 500 Europeans is emotionally judged to be worse than the killing of 500,000 Africans. The latter event hardly makes the news. Don Cheadle stars in the true-life story of [Read More]